An inventory in the Textiler Hausrat mention a fabric covered straw hat, and I decided to try the technique by doing a specific kind of Tellerbarret. First book of fashion also mention hats covered in fabric, but doesn’t give any clues of what the base might be made of. Probably not all hats of this type have a strawhat base, but since it’s cheap and availble I found it suitable for a campfollower.
How I made the hat;
1) Take a straw hat and mark and cut of the top. Don’t worry if the hole is too big, you’re going to add a layer of fabric, which will reduce the size some, and if you planning to wear it on top of some kind of head cloth, you kind of want it to be larger than your head.
2) measure the width of the brim and double the measurement and add seam allowance, this is the width. Measure the outer circumference of the straw hat, and this is the minimum length of the fabric. My straw hat was exactly the width of my fabric, which was nice.
Tip: wool rips really easy: just snip and rip in perfectly straight lines.
Mark the middle of the fabric and put in gatherings threads, mine is about 1/2 inch (2 cm) between. I choose to make two rows on each side of the middle, to ensure that the pleats would stay neat on both side of the brim. (Honestly, I remade my gathering threads six times before I settled for this kind. Do as you believe works best for you)
3) pull the gatherings thread carefully, you-do-not-want-them-to-brake! I used a thicker linen thread, it still broke, and I had to remake it. Fun times… Fold the fabric over the hat and place the gathered part along the inner hole. I then pulled and pinned the fabric evenly over the brim, making sure it was evenly stretched.
4) I made sure I’ve pinned all the way around on the brim and let go of the pins around the outer edge, so I could fold and whip stitched the two layers of fabric on the outer side, without loosing the even pleating.
6) I wasn’t able to find any leeds on how the top of a fabric covered Tellerbarret would look like, so instead I study several different other models of a wide flat type of hat around the same period, to get an idea what would be most plausible design. Here is three examples of the construction of the crown:
A) most tops seems very flat, some looks like they are made out of a cut out round circle, some like they’ve been shaped (felt? leather?) or possibly sewn out of several pieces. The design I chose is based on the first woodcut which seems to have a curve.
B) some hats seems to have some sort of butto- like decoration on the top.
C) I’ve noticed that a cord during this period, often seem to go through the brim and over the head.
7) a friends pattern of a hat crown seemed to be similar to the shape I was looking for; measure the base to be sure it will fill up the hole on your hat, don’t forget to take any seam allowance into the calculation. Cut out four, sew together.
9) add cords; when you look at the woodcut, the cords seems like they goes through/attached to the brim rather then the seam between the crown and brim, so I punched a hole through all the layers and pulled my cord through it.
10) …and the hat is finished to be decorated with feathers; I am still working on how to get the same look as the woodcut, I have some ideas I’ll experiment with and publish when I’m satisfied with the result.
Amount of work hours around 8-10 hours.
Things to work on:
When studying and compare my finished hat with the woodcut, a few things might need a tweak.
– thinner cord
– smaller straw hat; the size between head and edge is smaller then mine.
– more fabric? The woodcut shows more pleats, which is also smaller. Since I made the hat out of Melton wool, I would probably need to experiment with either a thinner wool or another type of fabric.
Zander-Siedel, Textiler Husrat: Kleidung und Haustextilien in Nürnberg Von 1500-1600. (English translation by Katerine Barich), 1990
Graf, Breünner, Jacob, Landsknecht Woodcuts: Kriegsvölker Im Zeitalter der Landsknechte (edited by M. McNealy), 2013
The first book of fashion: the book of Clothes of Matthäus and Veit Konrad Schwarz of Augsburg (Edited by Ulinka Rublack and Maria Hayward), 2015
Tece de Kaxtone, Drachenwald, http://tecedekaxtone.livejournal.com